London sat down at his desk, pulled out his old typewriter, and resumed the life of iron-clad discipline he had embraced while studying for his collegiate entrance exams, which, if you’ll remember, consisted of 5am wake-up calls and 19-hours of daily toil.
Though he had been living in the wilderness for the last year, Jack did not chafe at returning to being holed up in a room from sunup to sundown. One of the things London’s friends marveled at was this great dichotomy of his character – how he could take his unfettered spirit, his fierce thumos, and channel it at will into a rigidly disciplined, unwavering drive for success. As his friend Anna Strunksy put it:
“His standard of life was high. He for one would have the happiness of power, of genius, of love, and the vast comforts and ease of wealth. Napoleon and Nietzsche had a part in him…and it was by the force of his Napoleonic temperament that he conceived the idea of incredible success, and had the will to achieve it. Sensitive and emotional as his nature was, he forbade himself any deviation from the course that would lead him to his goal. He systematized his life. Such colossal energy, and yet…He lived by rule. Law, Order and Restraint was the creed of this vital, passionate youth.”
Yet while London was an ardent “disciple of regular work,” this did not mean that such self-mastery came naturally to him. “Temperamentally,” Jack said, “I am not only careless and irregular, but melancholy.” “Still,” he added, “I have fought both down.” One way he mastered his penchant for irregularity was establishing a fixed goal of writing at least a thousand words every day, six days a week (sometimes on Sundays and holidays too). He wrote to a friend: “I am sure a man can turn out more and much better in the long run, working this way, than if he works by fits and starts.” London would keep this habit of writing 1,000 words a day for the rest of his life, no matter his physical or mental conditions – whether he was tired, sick, hung-over, traveling aboard a ship rocking violently in a storm, vacationing in Hawaii, or covering a war in Japan. It especially did not matter whether he was feeling “inspired” on a given day; London thought the idea of creative inspiration was bunkum – the complaint of its absence an excuse of the lazy and cowardly. Success in writing, or any other vocation, London argued, was all about effort and willpower – “digging” as he liked to put it:
“A strong will can accomplish anything…There is no such thing as inspiration and very little genius. Dig, blooming under opportunity, results in what appears to be the former, and certainly makes possible the development of what original modicum of the latter one may possess. Dig is a wonderful thing, and will move more mountains than faith ever dreamed of. In fact, Dig should be the legitimate father of all self-faith.”
A large part of Jack’s own digging and refinement process involved studying the work of other great writers (Rudyard Kipling in particular) with an eye towards improving his own.
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